(7/69 contd.)
Yes -- Yes: Songwriting chops require serious polishing, but instrumental ability shines on brightly, to borrow a phrase from a noticeably superior progressive rock contemporary. B-
(8/69)
Jethro Tull -- Stand Up: The blues-rock and folk influences meld in a way that is surprisingly enjoyable, though the flute sometimes feels a bit gimmicky and the tunes themselves have a ways to go. B
Creedence Clearwater Revival -- Green River: Lengthy jams were the weak points of this band's first two releases, and thankfully those have been curbed in favor of much breezier songs that roll on through the ears like a crocodile on the bayou. B+
The Stooges -- The Stooges: Impressive...one album in and these guys have already made the Rolling Stones' sound far more interesting than the Stones ever have. B+
Blind Faith -- Blind Faith: Winwood + Clapton < Bloomfield + Stills, as it turns out. The playing on this record works but having the two guitarists duel on each other's tracks was a slight mistake. Bloomfield and Stills did well by not doing that on [i]Super Session[/i]. Still about as good blues-rock as you'll find out there today. B
Wednesday, May 2, 2018
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An Introduction to The Listener's Guide
Greetings folks, In this blog, we shall all be collectively embarking on a journey down the roads of popular music of the last 50 years or...
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(6/69 contd.) Deep Purple -- Deep Purple : The compositions are growing tighter, the musicianship more pronounced. Rod Evans' attempts...
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(8/69 contd.) Grand Funk Railroad -- On Time : The grooviest rock instrumentals this side of the Atlantic, with bass playing that would ma...
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(5/69 contd.) Skip Spence -- Oar : Schizophrenia meets Johnny Cash meets psychedelia. There is no real need to pedestalize and romanticize...
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